Julien Sinzogan
Benin, 1957
Julien Sinzogan’s fine pen and ink works refer to the ‘Gates of No Return' – the ports of the West African coast through which millions of enslaved Africans passed. By picturing these ports not as a site of loss, but as the arrival point for the homeward return of lost spirits, Sinzogan’s work offers a message of potential redemption and healing. The ships in his images are not the gruesome carriers of the Middle Passage, but otherworldly vessels, bedecked with Egungun masquerade costumes, and peopled with spirits, diviners and ancestral ghosts. His works explore the relationship between the visible human world and the invisible spirit world, and the voyage between these realms that lies at the heart of religious practice across much of the Atlantic world. He explains: “there are voyages which should never have been… the Middle Passage for example… there are spiritual voyages, such as a meeting with a Babalawo, well known for travelling between visible and invisible worlds… and there are imaginary voyages, through Gates of Return, and Gates of No-Return…”
(October Gallery, London)
Selected Works
Where there are no dates, works are ordered alphabetically
Art Exhibition
A Thousand Ways of Being. Memory and Presence in the Art of Diasporas [Group exhibition, The October Gallery, 2002]
Rendering Visible : Contemporary Art from the Republic of Benin [Group exhibition, October Gallery, 2000]
Visions d'Afrique [Group exhibition, La Maroquinerie, 2000]
Art Work
Danseur Bamoun [Painting]
Ink and acrylic on paper
La Porte du Non Retour
Le Retour des Esprits
Les Voiles du Retour
Person TypeIndividual